“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Above the Fold In ‘The Shadow of Spring’, Miles Greenberg examines the corporeality of his avatar The artist’s latest exhibition departs from durational performance into the world of sculpture, shifting from the hyper-present to a figurative temporality by Yuki Xu Above the Fold Maxwell Alexandre transposes familial realities into a labyrinthian extension of home In ‘Pardo é Papel,’ the painter presents large-scale figurative paintings driven by anthropological note-taking and his roots in Rocinha by Yuki Xu Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu Above the Fold Designer Terrence Zhou speaks the language of shape In the wake of Bad Binch TongTong’s mesmerizing presentation, the Wuhan-born, New York-based designer joins Document to discuss his boundary-pushing anthropomorphic designs by Yuki Xu Above the Fold Jonathan Anderson subverts expectations with an open, anthurium-shaped heart With balloon heels and a surrealist 8-bit twist, Loewe’s Spring/Summer 2023 show deflected Narcissus’s gaze back to nature by Yuki Xu Above the Fold Behind the scenes at Tory Burch’s golden-hour New York Fashion Week show Guests gathered on Pier 76 for the luminous presentation, where elevated sportswear meshed with ’90-era silhouettes by Yuki Xu
Above the Fold In ‘The Shadow of Spring’, Miles Greenberg examines the corporeality of his avatar The artist’s latest exhibition departs from durational performance into the world of sculpture, shifting from the hyper-present to a figurative temporality by Yuki Xu
Above the Fold Maxwell Alexandre transposes familial realities into a labyrinthian extension of home In ‘Pardo é Papel,’ the painter presents large-scale figurative paintings driven by anthropological note-taking and his roots in Rocinha by Yuki Xu
Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu
Above the Fold Designer Terrence Zhou speaks the language of shape In the wake of Bad Binch TongTong’s mesmerizing presentation, the Wuhan-born, New York-based designer joins Document to discuss his boundary-pushing anthropomorphic designs by Yuki Xu
Above the Fold Jonathan Anderson subverts expectations with an open, anthurium-shaped heart With balloon heels and a surrealist 8-bit twist, Loewe’s Spring/Summer 2023 show deflected Narcissus’s gaze back to nature by Yuki Xu
Above the Fold Behind the scenes at Tory Burch’s golden-hour New York Fashion Week show Guests gathered on Pier 76 for the luminous presentation, where elevated sportswear meshed with ’90-era silhouettes by Yuki Xu