In celebration of summer holidays, Document 12 contributors bring us to their favorite places
Jil Sanders's Lucie Meier embarks on a journey to the mountains of Zermatt, while coder Fereshteh Forough travels to her favorite park in Afghanistan.
James Welling on his photo ‘1538’
“The challenge is to create something I haven't seen before."
Martine Rose is designing for the ‘dodgy’ man of her dreams, one piece at a time
Ahead of her Spring / Summer 2019 collection, Document met up with the London-born designer to discuss intuition, music, and the unpredictable, flashy, always dodgy,...
Tomas Maier on the ‘raw, simple, and emotional’ works of Donald Judd
We asked the Bottega Veneta creative director about his fascination with the legendary sculptor, whose aluminum works are on display this summer at the Judd...
Amy Arbus on her photo ‘Julio Q’
'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.'
Who’s that in the garden?
The latest monograph from Aperture, The Photographer in the Garden, is a simple homage to the garden's delicate perfection.
Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’
'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish...
Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’
For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work.
Tina Tyrell on her photo ‘Time Will Have Its Fancy’
Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work.
Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)”
Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture.
