Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams
Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams
Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams
Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams
Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams
Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams