Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams
Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams
Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams
Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams
Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams
Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams