“The promise of a moment is its future.” Photographer Joe Lai and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Nightlife How to throw a party In this exclusive portfolio from Document’s Fall/Winter 2024–25 issue, NYC’s nightlife leaders share their insights and origins alongside an essay by Geoffrey Mak exploring autonomy...
The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild
Art Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams
Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams
Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams
Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams
Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams
Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams