Fashion Critic’s Notebook: Does anyone care about New York Fashion Week? For Document's fashion critic Katharine K. Zarrella, the thrills were few and far between at NYFW 2025. A new guard of emerging designers held their...
Film ‘When you honour me, you honour all the above’: Read Tilda Swinton’s full address from the Berlinale Receiving a Golden Bear for lifetime achievement at this year's Berlin International Film Festival, the actor delivered a searing rebuke of global leadership during her...
Art This Valentines Day, Kerosene Jones says “FUCK YOU” to romance From flesh-eating nuns to cosmic mummy dick: Inside a radical queer artist's pilgrimage through NYC's occult performances and a rain-soaked Chelsea Hotel orgy
Fashion Diesel finds luxury in the abstraction of the everyday For the brand's Fall/Winter 2025 collection, Creative Director Glenn Martens renders even the most unconventional colors and hemlines as casual
Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley Above the Fold Tokens of a Type: How Levi’s AI models continue a history of human-averaging Artificial Intelligence may be new, but its racial and gender-based biases are not—paradoxically disappearing the individual under the guise of championing diversity by Patrick Crowley
Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley
Above the Fold Tokens of a Type: How Levi’s AI models continue a history of human-averaging Artificial Intelligence may be new, but its racial and gender-based biases are not—paradoxically disappearing the individual under the guise of championing diversity by Patrick Crowley
