“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold Talia Goddess’s collection of tracks that transcend language On the heels of the release of ‘DOWN 2 EARTH,’ R&B’s rising star offers a playlist centering the beauty of the not-quite-finished by Morgan Becker Above the Fold Miss Velvet rides the wave, rejuvenating classic rock The LA-based singer-songwriter introduces ‘Traveler,’ employing mighty vocals to distill the emotion of starting anew by Morgan Becker Above the Fold It’s Emma Rogue’s world The vintage maverick speaks on what it took to build her brand—from Depop, to brick and mortar, to a future in the Metaverse by Morgan Becker At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker Above the Fold Chasing the ocean state of mind Document boards the Explora I for its Naming Ceremony, as it embarks on its path to redeem the at-sea getaway by Morgan Becker Above the Fold ‘Mood of the moment’ takes to Chloé’s archives, beginning with the vision of Gaby Aghion The exhibition opened last week at the Jewish Museum, traversing the French house’s many eras and highlighting its easy elegance by Morgan Becker Above the Fold Takeshi Matsumoto performs for the future The dancer and 7Circles founder speaks on the power of movement, the practice of origami, and his recent collaboration with Joel Kerr featuring Issey Miyake... by Morgan Becker Above the Fold Low Classic carries Seoul’s spirit to Paris Fashion Week Myoungsin Lee and Jinsun Park delivered a balanced Spring/Summer 2024 collection, crafting modular pieces both contemporary and paradigmatic by Morgan Becker Above the Fold Valentino goes bare for Spring/Summer 2024 Pierpaolo Piccioli’s latest collection took on a feminist slant, with garments marked by their engagement with the body by Morgan Becker Above the Fold Sarah Burton takes a final, formidable bow at Alexander McQueen The Spring/Summer 2024 show saw the creative director with her heart on her sleeve, drawing inspiration from female anatomy and Queen Elizabeth I by Morgan Becker Above the Fold Givenchy’s new elegance Matthew Williams’s Spring/Summer 2024 collection united the French house’s soft heritage with cutting-edge tailoring, leaning on the flower as a conceptual bridge by Morgan Becker Above the Fold Saint Laurent goes back to the drawing board Anthony Vaccarello’s Spring/Summer 2024 collection was all about simplicity and utility, signaling a fresh start for the French house by Morgan Becker Above the Fold Philosophy di Lorenzo Serafini moves instinctually The Italian label’s Spring/Summer 2024 collection was a balancing act between breeziness and structure, paring looks down to the essentials by Morgan Becker Above the Fold Supriya Lele’s self-assured return to the runway Spring/Summer 2024 marked the end the label’s two-year hiatus, and the birth of a collection merging tradition with cutting-edge construction by Morgan Becker Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker Above the Fold Stefan Cooke’s clear-eyed mission The label’s London Fashion Week collection pulled from hundred of references, emerging with sunny and straightforward future signatures by Morgan Becker Above the Fold Chopova Lowena channels angels, demons, and skater girls The label’s Spring/Summer 2024 drew parallels between the folkloric and modern street style, growing up before London’s very eyes by Morgan Becker Above the Fold For Marz Lovejoy, biking is simply the vehicle In the afterglow of And Still We Ride’s fourth annual New York tour, the founder speaks on its mission of putting Black community first by Morgan Becker Above the Fold Charlotte Bakkenes balances classicism with the cutting-edge The Amsterdam-based designer is driven by narrative and craft, adopting age-old techniques to create garments with soul by Morgan Becker Above the Fold FFORME’s inaugural New York show was an exercise in observation Document offers a glimpse at the lead-up to Paul Helbers’s highly-anticipated Spring/Summer 2024 presentation by Morgan Becker Above the Fold Parsons’s MFA Show was a labor of love At the Brooklyn Museum, the next generation of designers speaks on storytelling, boundary-pushing, and the lessons they’ve collected thus far by Morgan Becker Above the Fold Peter Do’s Helmut Lang seeks broader horizons The designer’s debut for the New York mainstay riffed on its aesthetic history, with the yellow taxi as its universal vehicle by Morgan Becker Above the Fold Róisín Pierce revives the language of lace The designer speaks with Document on her unique philosophy, shunning the moodboard, and finding resilience in softness by Morgan Becker Above the Fold Digging in the crates with Chicago’s Mike Dunn Ahead of his set at ARC Music Festival, the legendary DJ and hip-house pioneer pays a visit to Gramaphone Records by Morgan Becker Above the Fold ‘The Love Invention’ is transportive, loud, spontaneous euphoria Document hears from Alison Goldfrapp at the start of a new journey: destination unknown, but the music is the portal by Morgan Becker Above the Fold For Donatien Grau, all roads lead to LA California’s cultural capital is the muse behind ‘De Civitate Angelorum,’ the curator’s new book composed entirely in Latin by Morgan Becker Above the Fold Face to face with the future of Shanghai fashion Document meets six emerging Chinese designers, working with and against the quintessential urban jungle by Morgan Becker Above the Fold Van Cleef & Arpels builds upon a century-long love affair with dance Ahead of the maison’s Dance Reflections Festival, Serge Laurent discusses New York’s greats and the city’s role in the evolution of the choreographic arts by Morgan Becker Above the Fold Sugar, spice, and saying the same thing twice All about the absurdist next generation of the NPC, and the political reputation that precedes it by Morgan Becker Above the Fold Portraits of Brussels’s free party movement, through James Brodribb’s lens Galvanized by a radical collectivist spirit and a love of hardcore music, the scene is alive and well—albeit on the fringes by Morgan Becker Above the Fold ‘The Exhilaration’ is Jonah Almost’s summer-in-the-city tour de force The four-track EP went live on July 4, pulling from trance, hip-hop, and early-aughts rock to craft a sweet and sexy sonic universe by Morgan Becker Above the Fold In step with the legacy of Spanish rave music, Héctor Oaks and SITA present “Loff Is All You Speed” Document premieres the music video here, underpinned by the influence of La Ruta del Bakalao scene, and the cadence of Berlin techno by Morgan Becker Above the Fold In Izzy Du’s hands, everything is seamlessly constructed and rationally progressive On the heels of the launch of her ready-to-wear collection, the designer joins Document to speak on wearable energy, Pierre Cardin, and the “business of... by Morgan Becker Above the Fold Under the umbrella of tradition, Issey Miyake innovates The Japanese label’s Spring/Summer 2024 Homme Plissé show refined and paid homage to tried-and-true techniques by Morgan Becker Above the Fold Inside the Jeffries and Jonah Almost’s Outer Heaven soirée The party kicked off Pride Month, uniting a dynamic crew of creatives under one roof in the Bowery by Morgan Becker Above the Fold For Spring/Summer 2024, MSGM rests between the ethereal and the terrestrial With organic textiles, subtle animal prints, and earthy tones, Massimo Giorgetti embeds personal experience into his label’s legacy of play by Morgan Becker Above the Fold Saint Laurent renders classic suiting light-as-air Anthony Vaccarello took to Berlin for Summer 2024, presenting a menswear collection marked by feminine details and a cohesive silhouette by Morgan Becker Conversations Lucas Ossendrijver and Sarah Richardson step outside the fitting room, seeking the humanist side of fashion Theory Project’s debut designer and Document’s creative and fashion director reflect on a decade of collaboration, and the future of their industry by Morgan Becker Above the Fold ‘Analog Human Studies’ is provocative and agonizingly intimate More than 15 years following the release of ‘Lost Boys,’ Slava Mogutin presents a new photography book—bestowing queer culture with an ever-changing face by Morgan Becker Above the Fold Standing Ground bridges the earthen with the cosmic Michael Stewart Dunne, the designer behind the burgeoning label, speaks to the Irish relics that inspire him, and the traditions of craftsmanship he lives by by Morgan Becker Above the Fold Inside London Craft Week, where tradition meets modernity Document spoke with a few of the fair’s innovative makers, celebrating the heritage of weaving, millinery, metalworking, and more by Morgan Becker Above the Fold Document premieres the music video for “UNAVAILABLE,” Casey Spooner’s sonic meditation on sex and death In communion with Fire Island’s storied geography, the artist explores the particular agonies and pleasures of longing by Morgan Becker Above the Fold ‘Femme F(r)iction’ canvasses the trailblazing work of a century of female creatives C1760’s sweeping group exhibition traverses medium, featuring the work of Judy Chicago, Jeanne Silverthorne, Najla El Zein, and many more by Morgan Becker Above the Fold Inside Jean Paul Gaultier and The Webster’s Spring/Summer 2023 launch party The house’s ‘FLOWERS’ collection was put on full display amidst fittingly lush arrangements—a reclamation of its early-2000s archive by Morgan Becker Above the Fold ‘100% (Ciento por Ciento)’ spotlights Patagonia’s storied landscape, and the fight to protect it Colin Dodgson’s photo book, created in collaboration with the World Land Trust, connects with the communities working to preserve the world’s most wild regions by Morgan Becker Conversations Myha’la Herrold pushes the on-screen envelope, redefining the antihero Resistant to the archetype, the actor is emblematic of a new generation of performers, committed to complex characters and storylines by Morgan Becker Above the Fold James Walsh builds wearable sculpture, fueled by childhood nostalgia The budding designer takes inspiration from doll clothes and porcelain figures, softening the futurism of his techniques with a playful aesthetic by Morgan Becker Above the Fold ‘Rear View’ zeroes in on the nude portrait, as seen from behind LDGR’s latest show explores the trope across eras, featuring artwork from the likes of Francis Bacon, Mickalene Thomas, Egon Schiele, and Andy Warhol by Morgan Becker Above the Fold Saint Laurent spearheads ‘Strange Way of Life,’ Pedro Almodóvar’s answer to ‘Brokeback Mountain’ The short film, starring Ethan Hawke and Pedro Pascal, is set to premiere at Cannes, kickstarting the French house’s foray into the realm of cinema by Morgan Becker Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker
Above the Fold Talia Goddess’s collection of tracks that transcend language On the heels of the release of ‘DOWN 2 EARTH,’ R&B’s rising star offers a playlist centering the beauty of the not-quite-finished by Morgan Becker
Above the Fold Miss Velvet rides the wave, rejuvenating classic rock The LA-based singer-songwriter introduces ‘Traveler,’ employing mighty vocals to distill the emotion of starting anew by Morgan Becker
Above the Fold It’s Emma Rogue’s world The vintage maverick speaks on what it took to build her brand—from Depop, to brick and mortar, to a future in the Metaverse by Morgan Becker
At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker
Above the Fold Chasing the ocean state of mind Document boards the Explora I for its Naming Ceremony, as it embarks on its path to redeem the at-sea getaway by Morgan Becker
Above the Fold ‘Mood of the moment’ takes to Chloé’s archives, beginning with the vision of Gaby Aghion The exhibition opened last week at the Jewish Museum, traversing the French house’s many eras and highlighting its easy elegance by Morgan Becker
Above the Fold Takeshi Matsumoto performs for the future The dancer and 7Circles founder speaks on the power of movement, the practice of origami, and his recent collaboration with Joel Kerr featuring Issey Miyake... by Morgan Becker
Above the Fold Low Classic carries Seoul’s spirit to Paris Fashion Week Myoungsin Lee and Jinsun Park delivered a balanced Spring/Summer 2024 collection, crafting modular pieces both contemporary and paradigmatic by Morgan Becker
Above the Fold Valentino goes bare for Spring/Summer 2024 Pierpaolo Piccioli’s latest collection took on a feminist slant, with garments marked by their engagement with the body by Morgan Becker
Above the Fold Sarah Burton takes a final, formidable bow at Alexander McQueen The Spring/Summer 2024 show saw the creative director with her heart on her sleeve, drawing inspiration from female anatomy and Queen Elizabeth I by Morgan Becker
Above the Fold Givenchy’s new elegance Matthew Williams’s Spring/Summer 2024 collection united the French house’s soft heritage with cutting-edge tailoring, leaning on the flower as a conceptual bridge by Morgan Becker
Above the Fold Saint Laurent goes back to the drawing board Anthony Vaccarello’s Spring/Summer 2024 collection was all about simplicity and utility, signaling a fresh start for the French house by Morgan Becker
Above the Fold Philosophy di Lorenzo Serafini moves instinctually The Italian label’s Spring/Summer 2024 collection was a balancing act between breeziness and structure, paring looks down to the essentials by Morgan Becker
Above the Fold Supriya Lele’s self-assured return to the runway Spring/Summer 2024 marked the end the label’s two-year hiatus, and the birth of a collection merging tradition with cutting-edge construction by Morgan Becker
Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker
Above the Fold Stefan Cooke’s clear-eyed mission The label’s London Fashion Week collection pulled from hundred of references, emerging with sunny and straightforward future signatures by Morgan Becker
Above the Fold Chopova Lowena channels angels, demons, and skater girls The label’s Spring/Summer 2024 drew parallels between the folkloric and modern street style, growing up before London’s very eyes by Morgan Becker
Above the Fold For Marz Lovejoy, biking is simply the vehicle In the afterglow of And Still We Ride’s fourth annual New York tour, the founder speaks on its mission of putting Black community first by Morgan Becker
Above the Fold Charlotte Bakkenes balances classicism with the cutting-edge The Amsterdam-based designer is driven by narrative and craft, adopting age-old techniques to create garments with soul by Morgan Becker
Above the Fold FFORME’s inaugural New York show was an exercise in observation Document offers a glimpse at the lead-up to Paul Helbers’s highly-anticipated Spring/Summer 2024 presentation by Morgan Becker
Above the Fold Parsons’s MFA Show was a labor of love At the Brooklyn Museum, the next generation of designers speaks on storytelling, boundary-pushing, and the lessons they’ve collected thus far by Morgan Becker
Above the Fold Peter Do’s Helmut Lang seeks broader horizons The designer’s debut for the New York mainstay riffed on its aesthetic history, with the yellow taxi as its universal vehicle by Morgan Becker
Above the Fold Róisín Pierce revives the language of lace The designer speaks with Document on her unique philosophy, shunning the moodboard, and finding resilience in softness by Morgan Becker
Above the Fold Digging in the crates with Chicago’s Mike Dunn Ahead of his set at ARC Music Festival, the legendary DJ and hip-house pioneer pays a visit to Gramaphone Records by Morgan Becker
Above the Fold ‘The Love Invention’ is transportive, loud, spontaneous euphoria Document hears from Alison Goldfrapp at the start of a new journey: destination unknown, but the music is the portal by Morgan Becker
Above the Fold For Donatien Grau, all roads lead to LA California’s cultural capital is the muse behind ‘De Civitate Angelorum,’ the curator’s new book composed entirely in Latin by Morgan Becker
Above the Fold Face to face with the future of Shanghai fashion Document meets six emerging Chinese designers, working with and against the quintessential urban jungle by Morgan Becker
Above the Fold Van Cleef & Arpels builds upon a century-long love affair with dance Ahead of the maison’s Dance Reflections Festival, Serge Laurent discusses New York’s greats and the city’s role in the evolution of the choreographic arts by Morgan Becker
Above the Fold Sugar, spice, and saying the same thing twice All about the absurdist next generation of the NPC, and the political reputation that precedes it by Morgan Becker
Above the Fold Portraits of Brussels’s free party movement, through James Brodribb’s lens Galvanized by a radical collectivist spirit and a love of hardcore music, the scene is alive and well—albeit on the fringes by Morgan Becker
Above the Fold ‘The Exhilaration’ is Jonah Almost’s summer-in-the-city tour de force The four-track EP went live on July 4, pulling from trance, hip-hop, and early-aughts rock to craft a sweet and sexy sonic universe by Morgan Becker
Above the Fold In step with the legacy of Spanish rave music, Héctor Oaks and SITA present “Loff Is All You Speed” Document premieres the music video here, underpinned by the influence of La Ruta del Bakalao scene, and the cadence of Berlin techno by Morgan Becker
Above the Fold In Izzy Du’s hands, everything is seamlessly constructed and rationally progressive On the heels of the launch of her ready-to-wear collection, the designer joins Document to speak on wearable energy, Pierre Cardin, and the “business of... by Morgan Becker
Above the Fold Under the umbrella of tradition, Issey Miyake innovates The Japanese label’s Spring/Summer 2024 Homme Plissé show refined and paid homage to tried-and-true techniques by Morgan Becker
Above the Fold Inside the Jeffries and Jonah Almost’s Outer Heaven soirée The party kicked off Pride Month, uniting a dynamic crew of creatives under one roof in the Bowery by Morgan Becker
Above the Fold For Spring/Summer 2024, MSGM rests between the ethereal and the terrestrial With organic textiles, subtle animal prints, and earthy tones, Massimo Giorgetti embeds personal experience into his label’s legacy of play by Morgan Becker
Above the Fold Saint Laurent renders classic suiting light-as-air Anthony Vaccarello took to Berlin for Summer 2024, presenting a menswear collection marked by feminine details and a cohesive silhouette by Morgan Becker
Conversations Lucas Ossendrijver and Sarah Richardson step outside the fitting room, seeking the humanist side of fashion Theory Project’s debut designer and Document’s creative and fashion director reflect on a decade of collaboration, and the future of their industry by Morgan Becker
Above the Fold ‘Analog Human Studies’ is provocative and agonizingly intimate More than 15 years following the release of ‘Lost Boys,’ Slava Mogutin presents a new photography book—bestowing queer culture with an ever-changing face by Morgan Becker
Above the Fold Standing Ground bridges the earthen with the cosmic Michael Stewart Dunne, the designer behind the burgeoning label, speaks to the Irish relics that inspire him, and the traditions of craftsmanship he lives by by Morgan Becker
Above the Fold Inside London Craft Week, where tradition meets modernity Document spoke with a few of the fair’s innovative makers, celebrating the heritage of weaving, millinery, metalworking, and more by Morgan Becker
Above the Fold Document premieres the music video for “UNAVAILABLE,” Casey Spooner’s sonic meditation on sex and death In communion with Fire Island’s storied geography, the artist explores the particular agonies and pleasures of longing by Morgan Becker
Above the Fold ‘Femme F(r)iction’ canvasses the trailblazing work of a century of female creatives C1760’s sweeping group exhibition traverses medium, featuring the work of Judy Chicago, Jeanne Silverthorne, Najla El Zein, and many more by Morgan Becker
Above the Fold Inside Jean Paul Gaultier and The Webster’s Spring/Summer 2023 launch party The house’s ‘FLOWERS’ collection was put on full display amidst fittingly lush arrangements—a reclamation of its early-2000s archive by Morgan Becker
Above the Fold ‘100% (Ciento por Ciento)’ spotlights Patagonia’s storied landscape, and the fight to protect it Colin Dodgson’s photo book, created in collaboration with the World Land Trust, connects with the communities working to preserve the world’s most wild regions by Morgan Becker
Conversations Myha’la Herrold pushes the on-screen envelope, redefining the antihero Resistant to the archetype, the actor is emblematic of a new generation of performers, committed to complex characters and storylines by Morgan Becker
Above the Fold James Walsh builds wearable sculpture, fueled by childhood nostalgia The budding designer takes inspiration from doll clothes and porcelain figures, softening the futurism of his techniques with a playful aesthetic by Morgan Becker
Above the Fold ‘Rear View’ zeroes in on the nude portrait, as seen from behind LDGR’s latest show explores the trope across eras, featuring artwork from the likes of Francis Bacon, Mickalene Thomas, Egon Schiele, and Andy Warhol by Morgan Becker
Above the Fold Saint Laurent spearheads ‘Strange Way of Life,’ Pedro Almodóvar’s answer to ‘Brokeback Mountain’ The short film, starring Ethan Hawke and Pedro Pascal, is set to premiere at Cannes, kickstarting the French house’s foray into the realm of cinema by Morgan Becker
Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker