Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long Above the Fold Billie Zangewa’s hand-stitched collages locate joy in the quotidian The artist’s latest solo exhibition, ‘Thread for a Web Begun,’ lovingly interprets domestic interiors and intimate mises en scène by Monique Long At Large Eric N. Mack reconsiders the dimensions of visual art For Document’s Winter 2021/Resort 2022 issue, the artist speaks on how he’s translating his South Bronx informed textile practice to the context of the Italian... by Monique Long Above the Fold Torkwase Dyson tells the history of black liberation through cartographic art 100 years after the Red Summer riots, the artist subverts the notion that abstract painting is non-narrative in her new show ‘1919: Black Water.’ by Monique Long Above the Fold Artist Wim Botha exposes the bad faith of Encyclopedia Britannica In ‘Still Life With Discontent,’ the South African sculptor draws parallels between bibles and encyclopedias—and exposes America’s own complicated history of Apartheid. by Monique Long At Large Deana Lawson and Mickalene Thomas on the direct gaze The artists discuss process, the significance of their mothers in their work, and how Lawson creates the intimacy that is signature in her photographs in... by Monique Long Documented Harlem’s Studio Museum channels Zora Neale Hurston to consider ‘draped down’ feminine beauty Investigating self-fashioning and memory with treasures from the museum collection by Willie Cole, Narcissister, and Xaviera Simmons for Document's Spring/Summer 2014 issue. by Monique Long
Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long
At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long
Above the Fold Billie Zangewa’s hand-stitched collages locate joy in the quotidian The artist’s latest solo exhibition, ‘Thread for a Web Begun,’ lovingly interprets domestic interiors and intimate mises en scène by Monique Long
At Large Eric N. Mack reconsiders the dimensions of visual art For Document’s Winter 2021/Resort 2022 issue, the artist speaks on how he’s translating his South Bronx informed textile practice to the context of the Italian... by Monique Long
Above the Fold Torkwase Dyson tells the history of black liberation through cartographic art 100 years after the Red Summer riots, the artist subverts the notion that abstract painting is non-narrative in her new show ‘1919: Black Water.’ by Monique Long
Above the Fold Artist Wim Botha exposes the bad faith of Encyclopedia Britannica In ‘Still Life With Discontent,’ the South African sculptor draws parallels between bibles and encyclopedias—and exposes America’s own complicated history of Apartheid. by Monique Long
At Large Deana Lawson and Mickalene Thomas on the direct gaze The artists discuss process, the significance of their mothers in their work, and how Lawson creates the intimacy that is signature in her photographs in... by Monique Long
Documented Harlem’s Studio Museum channels Zora Neale Hurston to consider ‘draped down’ feminine beauty Investigating self-fashioning and memory with treasures from the museum collection by Willie Cole, Narcissister, and Xaviera Simmons for Document's Spring/Summer 2014 issue. by Monique Long