Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold Etro reimagines its classic staples in a bold case for maximalism Kean Etro’s Fall/Winter menswear collection pairs his signature indulgence with a bright sense of renewal—and plenty of paisley by Megan Hullander Above the Fold From Raymond Pettibon to ‘Ray Gun’: Nina Ljeti’s syllabus for punks-in-training “Whenever I’m feeling stuck creatively I always ask myself ‘what would the Beastie Boys do?’” by Megan Hullander
Above the Fold Etro reimagines its classic staples in a bold case for maximalism Kean Etro’s Fall/Winter menswear collection pairs his signature indulgence with a bright sense of renewal—and plenty of paisley by Megan Hullander
Above the Fold From Raymond Pettibon to ‘Ray Gun’: Nina Ljeti’s syllabus for punks-in-training “Whenever I’m feeling stuck creatively I always ask myself ‘what would the Beastie Boys do?’” by Megan Hullander
