Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Above the Fold For Men’s Spring/Summer 2023, Rick Owens is pragmatic and sanguine In awe of the permanence in power of Egyptian temples, the designer seeks to match their tranquility amid chaos by Megan Hullander Above the Fold In ‘Bad Thoughts,’ Nada Alic imagines a world for women who are aspirational for all the wrong reasons In a series of short films debuting exclusively for Document, the author offers cinematic interpretations of scenes from her upcoming novel by Megan Hullander Above the Fold For Summer 2023, MSGM looks toward utopia Playing on vacation-themed paradise, Massimo Giorgetti presents an elevated mix of bright color, tropical print, and urban sensibilities by Megan Hullander At Large Frédéric Lagrange finds faith in faces For Document’s tenth anniversary, the photographer presents the most memorable moments of his career in a series of portraits by Megan Hullander Above the Fold Sinead O’Brien’s book guide for surreal journeys in absurd times The Irish punk-poet recommends four otherworldly stories, from Flann O’Brien to Virginia Woolf by Megan Hullander Above the Fold The life and death of Blackhaine On his latest EP, ‘Armour II,’ Tom Heyes’s poetic dexterity drives a narrative ridden with guilt and paranoia by Megan Hullander Conversations The new coming of age, according to Ever Anderson and Diana Silvers The actors meet to investigate the next generation of teenage cinema by Megan Hullander Above the Fold Papooz and Stéphane Ashpool explore the intersections of style and sound In celebration of the band’s latest album ‘None Of This Matters Now,’ the duo joins the French designer to discuss the impact of Paris in... by Megan Hullander Above the Fold P.H.F.’s playlist for finding mental purity before sunrise The New Zealand-based artist traverses personal traumas on his most recent album. For Document, he shares a playlist to find sleep amid your own. by Megan Hullander Above the Fold Sunflower Bean embraces the here and now on ‘Headful of Sugar’ On their latest album, the New York band balances the desire to disconnect with a yearning to be present by Megan Hullander Above the Fold Balenciaga brings its new collection into the heart of American capitalism For Spring 2023, the French house introduced its own take of the power suit to Wall Street—complete with masked latex skinsuits by Megan Hullander Above the Fold Kevin Morby makes friends with the dead on ‘This Is A Photograph’ The artist embarked on a ghoulish tour of artists who have passed, emerging with his most thoughtful album to date by Megan Hullander Above the Fold The false promise of payment plans sends Gen Z into debt ‘Buy now, pay later’ trends, popularized on social media, aren’t sustainable in the long run by Megan Hullander Above the Fold Let’s Eat Grandma may have actually eaten your grandma The duo joins Document to discuss their new album ‘Two Ribbons,’ dissect their relationship, and attempt to normalize berry picking in graveyards by Megan Hullander Above the Fold beabadoobee finds company in herself on ‘Beatopia’ Her latest single ‘See You Soon’ explores the artist’s shroom-induced drive to spend time with herself by Megan Hullander Above the Fold Blackballing Russia might not be the answer A country’s political leaders aren’t necessarily a reflection of its people and culture. So why do we treat it as such? by Megan Hullander Above the Fold Genesis Breyer P-Orridge and Lady Jaye are alive in ‘We Are But One’ At Pioneer Works, the first major posthumous presentation of the artists’ works explores their groundbreaking project ‘Pandrogyne’ by Megan Hullander Above the Fold Fontaines D.C. reclaim their pride on ‘Skinty Fia’ The band joins Document to discuss their latest album, the failings of guitar music, and balancing national and regional identities by Megan Hullander Above the Fold Andrew Bird’s ‘Inside Problems’ tackles the demons that even Headspace can’t deter The musician joins Document to discuss his latest album and the many branches of his artistic career by Megan Hullander Above the Fold Twitter is at war over David Lynch’s politics Is David Lynch a conservative? And why do we care? by Megan Hullander Above the Fold Photographer Chad Unger evolves in unison with his work The New York-based artist captures intimacy in portraits and landscapes alike by Megan Hullander Above the Fold The man who attempted to assassinate Reagan is playing a sold out show in Brooklyn John Hinckley Jr. has 26,000 YouTube subscribers and enough fans to warrant a tour—but is it for the right reasons? by Megan Hullander Above the Fold Sean Penn is considering taking up arms against Russia. Should he? In the era of performative activism, what does responsible use of celebrity platforms look like? by Megan Hullander Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander Above the Fold The world’s skinniest skyscraper disguises capitalistic greed with architectural ambition On Billionaires’ Row, some units are not residences, but rather act as cash vaults for their ultra-rich owners by Megan Hullander Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander Above the Fold Gen Z isn’t as sustainable as we thought The $100 billion valuation of fast fashion giant Shein reveals a consumer base that values trend over virtue by Megan Hullander Above the Fold Twitter is Elon Musk’s newest plaything In purchasing what is now the largest stake in the company, the prolific shitposter gained jurisdiction in a field he is ill-equipped to advise on by Megan Hullander Above the Fold Miami attempts to rebrand as ‘Crypto Valley’ The ‘Gunshine State’ strives to evolve past the stereotypes that plague its reputation, diluting its geriatric population with blockchain bros by Megan Hullander Above the Fold The normalization of reality isn’t happening New social media apps like BeReal romanticize the everyday. The problem? It’s boring. by Megan Hullander Above the Fold Hackers swipe $625 million from a blockchain platform, raising security concerns in the cryptosphere The breach highlights the compromises that come with high privacy and low regulation in the financial realm by Megan Hullander Above the Fold QAnon is calling the Will Smith Slap a deep state conspiracy The Oscars’s most viral moment serves as the center for mass speculation, with some claiming this ‘manufactured distraction’ contains a secret message by Megan Hullander Above the Fold Just Mustard brings an eerie edge to shoegaze The Irish band joins Document to discuss its latest album ‘Heart Under’ by Megan Hullander Above the Fold Glove’s ‘Boom Nights’ reinvigorates musical tropes In prioritizing synchronicity in vision over technical experience, the band’s euphoric debut album brings a new-age edge to nostalgic sounds by Megan Hullander Fashion Portfolio Hairstylist Ryan Mitchell and photographer Mark Luckasavage celebrate the ethos of alternative cultures Authenticity takes center stage as hair emboldens streetcast Londoners’ subversive styles by Megan Hullander Above the Fold Alex Cameron is in ecstasy and anxiety on ‘Oxy Music’ The Australian musician is both authentic and willingly obtuse in a drug-addled album by Megan Hullander Above the Fold Louis Vuitton captures the qualities of nostalgic fashion For Fall 2022, Nicolas Ghesquière explores youthful experimentation with surprising pairings by Megan Hullander Above the Fold Stella McCartney’s latest collection toes the line between clothing and sculptural art For Fall 2022, the designer collaborated with artist Frank Stella to blend luxury with the stylings of colorful abstraction by Megan Hullander Above the Fold Atlein centers sustainability for Fall/Winter 2022 Founded upon the idea of “studio archeology,” the latest collection from the French house pairs experimental materials with contemporary silhouettes by Megan Hullander Above the Fold Matthieu Blazy’s Bottega Veneta debut elevates the house’s legacy The Fall 2022 presentation brought the 'murse' to the forefront of Milan Fashion Week by Megan Hullander Above the Fold MSGM’s Fall 2022 collection is dominated by space and sophistication Massimo Giorgetti elevates intergalactic tropes with thoughtful patterns and delicate decorations by Megan Hullander Above the Fold A defaced 1930s-era painting raises questions about history versus virality How one bored security guard’s vandalism sparked a worldwide debate on the subjectivity of artistic value by Megan Hullander Above the Fold Eckhaus Latta celebrates craftsmanship and community for its 10th anniversary The label’s Fall 2022 collection is inventive in form and thoughtful in material by Megan Hullander Above the Fold Suki Waterhouse is in unending pursuit of self-expansion The model, actress, and singer joins Document to discuss the making of her debut album, ‘I Can’t Let Go’ by Megan Hullander Above the Fold ‘Pam & Tommy’ tells a story about exploitation, without the consent of the exploited As celebrity biopics reign supreme, how involved should their subjects be in shaping their own narratives? by Megan Hullander Above the Fold Spotify’s Joe Rogan debacle spotlights a long-corrupt streaming apparatus When corporate responsibility is improbable, how do we respond to unjust systems? by Megan Hullander Above the Fold The complicated truth about recycling No Cap: Colgate’s new eco-friendly containers, and recycling protocol, raise questions about consumer education and corporate responsibility by Megan Hullander Above the Fold Academic journal fingerprints PDFs to prevent free use of its materials When primary sources are paywalled, the public is cornered into taking secondary interpretations at face value by Megan Hullander Above the Fold Black Marble on ‘Fast Idol’ and the ritual of listening In conversation with Document, Chris Stewart breaks down his latest album and makes the case for ‘mood music’ by Megan Hullander
Above the Fold For Men’s Spring/Summer 2023, Rick Owens is pragmatic and sanguine In awe of the permanence in power of Egyptian temples, the designer seeks to match their tranquility amid chaos by Megan Hullander
Above the Fold In ‘Bad Thoughts,’ Nada Alic imagines a world for women who are aspirational for all the wrong reasons In a series of short films debuting exclusively for Document, the author offers cinematic interpretations of scenes from her upcoming novel by Megan Hullander
Above the Fold For Summer 2023, MSGM looks toward utopia Playing on vacation-themed paradise, Massimo Giorgetti presents an elevated mix of bright color, tropical print, and urban sensibilities by Megan Hullander
At Large Frédéric Lagrange finds faith in faces For Document’s tenth anniversary, the photographer presents the most memorable moments of his career in a series of portraits by Megan Hullander
Above the Fold Sinead O’Brien’s book guide for surreal journeys in absurd times The Irish punk-poet recommends four otherworldly stories, from Flann O’Brien to Virginia Woolf by Megan Hullander
Above the Fold The life and death of Blackhaine On his latest EP, ‘Armour II,’ Tom Heyes’s poetic dexterity drives a narrative ridden with guilt and paranoia by Megan Hullander
Conversations The new coming of age, according to Ever Anderson and Diana Silvers The actors meet to investigate the next generation of teenage cinema by Megan Hullander
Above the Fold Papooz and Stéphane Ashpool explore the intersections of style and sound In celebration of the band’s latest album ‘None Of This Matters Now,’ the duo joins the French designer to discuss the impact of Paris in... by Megan Hullander
Above the Fold P.H.F.’s playlist for finding mental purity before sunrise The New Zealand-based artist traverses personal traumas on his most recent album. For Document, he shares a playlist to find sleep amid your own. by Megan Hullander
Above the Fold Sunflower Bean embraces the here and now on ‘Headful of Sugar’ On their latest album, the New York band balances the desire to disconnect with a yearning to be present by Megan Hullander
Above the Fold Balenciaga brings its new collection into the heart of American capitalism For Spring 2023, the French house introduced its own take of the power suit to Wall Street—complete with masked latex skinsuits by Megan Hullander
Above the Fold Kevin Morby makes friends with the dead on ‘This Is A Photograph’ The artist embarked on a ghoulish tour of artists who have passed, emerging with his most thoughtful album to date by Megan Hullander
Above the Fold The false promise of payment plans sends Gen Z into debt ‘Buy now, pay later’ trends, popularized on social media, aren’t sustainable in the long run by Megan Hullander
Above the Fold Let’s Eat Grandma may have actually eaten your grandma The duo joins Document to discuss their new album ‘Two Ribbons,’ dissect their relationship, and attempt to normalize berry picking in graveyards by Megan Hullander
Above the Fold beabadoobee finds company in herself on ‘Beatopia’ Her latest single ‘See You Soon’ explores the artist’s shroom-induced drive to spend time with herself by Megan Hullander
Above the Fold Blackballing Russia might not be the answer A country’s political leaders aren’t necessarily a reflection of its people and culture. So why do we treat it as such? by Megan Hullander
Above the Fold Genesis Breyer P-Orridge and Lady Jaye are alive in ‘We Are But One’ At Pioneer Works, the first major posthumous presentation of the artists’ works explores their groundbreaking project ‘Pandrogyne’ by Megan Hullander
Above the Fold Fontaines D.C. reclaim their pride on ‘Skinty Fia’ The band joins Document to discuss their latest album, the failings of guitar music, and balancing national and regional identities by Megan Hullander
Above the Fold Andrew Bird’s ‘Inside Problems’ tackles the demons that even Headspace can’t deter The musician joins Document to discuss his latest album and the many branches of his artistic career by Megan Hullander
Above the Fold Twitter is at war over David Lynch’s politics Is David Lynch a conservative? And why do we care? by Megan Hullander
Above the Fold Photographer Chad Unger evolves in unison with his work The New York-based artist captures intimacy in portraits and landscapes alike by Megan Hullander
Above the Fold The man who attempted to assassinate Reagan is playing a sold out show in Brooklyn John Hinckley Jr. has 26,000 YouTube subscribers and enough fans to warrant a tour—but is it for the right reasons? by Megan Hullander
Above the Fold Sean Penn is considering taking up arms against Russia. Should he? In the era of performative activism, what does responsible use of celebrity platforms look like? by Megan Hullander
Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander
Above the Fold The world’s skinniest skyscraper disguises capitalistic greed with architectural ambition On Billionaires’ Row, some units are not residences, but rather act as cash vaults for their ultra-rich owners by Megan Hullander
Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander
Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander
Above the Fold Gen Z isn’t as sustainable as we thought The $100 billion valuation of fast fashion giant Shein reveals a consumer base that values trend over virtue by Megan Hullander
Above the Fold Twitter is Elon Musk’s newest plaything In purchasing what is now the largest stake in the company, the prolific shitposter gained jurisdiction in a field he is ill-equipped to advise on by Megan Hullander
Above the Fold Miami attempts to rebrand as ‘Crypto Valley’ The ‘Gunshine State’ strives to evolve past the stereotypes that plague its reputation, diluting its geriatric population with blockchain bros by Megan Hullander
Above the Fold The normalization of reality isn’t happening New social media apps like BeReal romanticize the everyday. The problem? It’s boring. by Megan Hullander
Above the Fold Hackers swipe $625 million from a blockchain platform, raising security concerns in the cryptosphere The breach highlights the compromises that come with high privacy and low regulation in the financial realm by Megan Hullander
Above the Fold QAnon is calling the Will Smith Slap a deep state conspiracy The Oscars’s most viral moment serves as the center for mass speculation, with some claiming this ‘manufactured distraction’ contains a secret message by Megan Hullander
Above the Fold Just Mustard brings an eerie edge to shoegaze The Irish band joins Document to discuss its latest album ‘Heart Under’ by Megan Hullander
Above the Fold Glove’s ‘Boom Nights’ reinvigorates musical tropes In prioritizing synchronicity in vision over technical experience, the band’s euphoric debut album brings a new-age edge to nostalgic sounds by Megan Hullander
Fashion Portfolio Hairstylist Ryan Mitchell and photographer Mark Luckasavage celebrate the ethos of alternative cultures Authenticity takes center stage as hair emboldens streetcast Londoners’ subversive styles by Megan Hullander
Above the Fold Alex Cameron is in ecstasy and anxiety on ‘Oxy Music’ The Australian musician is both authentic and willingly obtuse in a drug-addled album by Megan Hullander
Above the Fold Louis Vuitton captures the qualities of nostalgic fashion For Fall 2022, Nicolas Ghesquière explores youthful experimentation with surprising pairings by Megan Hullander
Above the Fold Stella McCartney’s latest collection toes the line between clothing and sculptural art For Fall 2022, the designer collaborated with artist Frank Stella to blend luxury with the stylings of colorful abstraction by Megan Hullander
Above the Fold Atlein centers sustainability for Fall/Winter 2022 Founded upon the idea of “studio archeology,” the latest collection from the French house pairs experimental materials with contemporary silhouettes by Megan Hullander
Above the Fold Matthieu Blazy’s Bottega Veneta debut elevates the house’s legacy The Fall 2022 presentation brought the 'murse' to the forefront of Milan Fashion Week by Megan Hullander
Above the Fold MSGM’s Fall 2022 collection is dominated by space and sophistication Massimo Giorgetti elevates intergalactic tropes with thoughtful patterns and delicate decorations by Megan Hullander
Above the Fold A defaced 1930s-era painting raises questions about history versus virality How one bored security guard’s vandalism sparked a worldwide debate on the subjectivity of artistic value by Megan Hullander
Above the Fold Eckhaus Latta celebrates craftsmanship and community for its 10th anniversary The label’s Fall 2022 collection is inventive in form and thoughtful in material by Megan Hullander
Above the Fold Suki Waterhouse is in unending pursuit of self-expansion The model, actress, and singer joins Document to discuss the making of her debut album, ‘I Can’t Let Go’ by Megan Hullander
Above the Fold ‘Pam & Tommy’ tells a story about exploitation, without the consent of the exploited As celebrity biopics reign supreme, how involved should their subjects be in shaping their own narratives? by Megan Hullander
Above the Fold Spotify’s Joe Rogan debacle spotlights a long-corrupt streaming apparatus When corporate responsibility is improbable, how do we respond to unjust systems? by Megan Hullander
Above the Fold The complicated truth about recycling No Cap: Colgate’s new eco-friendly containers, and recycling protocol, raise questions about consumer education and corporate responsibility by Megan Hullander
Above the Fold Academic journal fingerprints PDFs to prevent free use of its materials When primary sources are paywalled, the public is cornered into taking secondary interpretations at face value by Megan Hullander
Above the Fold Black Marble on ‘Fast Idol’ and the ritual of listening In conversation with Document, Chris Stewart breaks down his latest album and makes the case for ‘mood music’ by Megan Hullander