Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Above the Fold The Shoptimist: The transitional gift edit In a holiday edition of her monthly column, Maya Kotomori shares four brands redefining what it means for clothing to transform for temperature, mood, or... by Maya Kotomori Above the Fold ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home by Maya Kotomori Above the Fold The Shoptimist: An unbearable uniformity of being In her monthly column, previously closeted gym member Maya Kotomori ruminates on the role of the yoga set on her shopping psyche by Maya Kotomori Above the Fold Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film by Maya Kotomori Above the Fold The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild by Maya Kotomori At Large When post-irony renders real and fake indistinguishable, irreverence becomes a political weapon Tracing the line from Ancient Greece to David Foster Wallace to the bullet through Trump’s ear, this essay for Document Journal’s Fall/Winter 2024–25 asks if... by Maya Kotomori Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori Above the Fold R. Jamin’s ‘Temperance’ is a study in the spirituality behind science Document sits down with the artist to talk about the natural disasters, divination, and doves behind her first solo show, on view at David Peter... by Maya Kotomori Above the Fold Darryl Bell brought his Midwestern barbecue heritage to Robert Glasper’s The Black Radio Experience music festival At an on-site lunch event, the chef gave a glimpse into the menu at Stateline Road Smokehouse, his new restaurant blending fine dining perspective with... by Maya Kotomori Above the Fold The Shoptimist Speaks: Mati Hays of House of Iconica In the second installment of columnist Maya Kotomori’s interview mini-series, the Brooklyn-based designer talks personal style, fetish, and the poetics of taste in fashion by Maya Kotomori Above the Fold Inside Pete Rock’s musical dictionary Ahead of his performance at The Black Radio Experience music festival, the legendary DJ and producer sits down with Document to discuss his love for... by Maya Kotomori Above the Fold The Shoptimist: Myths, markets, and the business model of hype For her monthly column, fashion bard Maya Kotomori tells the tale of luxury’s fraught relationship to streetwear from ’90s Supreme to 2010s Odd Future to... by Maya Kotomori Above the Fold Larry Gus’s ‘Kerkis (Judas Tree)’ is playing games The musician collaborates with director Matvey Fiks and screenwriter, lyricist, and Yorgos Lanthimos collaborator Efthymis Filippou in this absurdist romp through an Athenian chess club by Maya Kotomori Above the Fold Best in show: Men’s Spring/Summer 2025 and Women’s Resort Fashion Week—Paris Document rounds up the top new collections shown this past week in Paris by Maya Kotomori Above the Fold Best in show: Men’s Spring/Summer 2025 and Women’s Resort Fashion Week—Milan Document rounds up the top new collections shown this past week in Milan by Maya Kotomori Above the Fold The Shoptimist: It ain’t the same now In a Juneteenth special of her monthly column, hotep-in-training Maya Kotomori puts on her Dr. Umar kufi to analyze the commodity fetish of hip-hop by Maya Kotomori Above the Fold In the experimental play ‘4,000 Dollars,’ the streets of New York City are a fiscal fight club Document joins playwright and director Georgica Pettus and producer Ashby Bland to discuss the art of numbers, spending money, and language systems by Maya Kotomori Above the Fold Sónar by Day, according to curators Antònia Folguera and Ikram Bouloum Meet the pair responsible for Sónar Festival’s daytime multidisciplinary programming ahead of the annual Barcelona electronic music festival by Maya Kotomori Conversations Decoding the ‘it’ factor with Abbey Lee In an exclusive digital interview for Document’s Spring/Summer 2024 issue, the cover star details how she found acting and a new sense of creative fulfillment by Maya Kotomori Above the Fold Inside the New York Live Arts 2024 gala Artists were front and center at the institution’s annual Live Ideas fundraising event, centered on the role of creativity in shaping our collective future by Maya Kotomori Above the Fold Lucila Safdie takes a blogger-era approach to the modern woman The designer sits down with Document to discuss the films, time periods, and nuanced female characters that inspire her clothing by Maya Kotomori Conversations Bill T. Jones and Hank Willis Thomas reanimate creative freedom The choreographer and conceptualist challenge the categories and moralities of the artist for Document’s Spring/Summer 2024 by Maya Kotomori Above the Fold Rhizome throws annual gala afterparty in collaboration with NYC-based performance series 29 Speedway Crushed watermelon, slime, and a visceral puppet show turn the postgame of this year’s fundraising gala into an immersive stage for experimental performance by Maya Kotomori Above the Fold At Pageant’s second annual gala, experimental performance reigns supreme This year’s fundraising event for the artist-run space features footlong high heels, whipped cream-spewing bras, and live tattoos by Maya Kotomori Conversations Maya Hawke and Kim Gordon dissect the poetics of commerce The multidisciplinary artists untangle lyric metaphors and pop cultural myths for Document’s Spring/Summer 2024 issue by Maya Kotomori Above the Fold The Shoptimist Speaks: In conversation with Christine Alcalay Columnist Maya Kotomori’s new mini-series of interviews with NYC-local craftspeople begins with a spotlight on the Park Slope designer, discussing her eponymous brand, fashion labor,... by Maya Kotomori Above the Fold Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’ by Maya Kotomori Above the Fold Announcing Katharine Zarrella, Document Journal’s Fashion Critic-at-Large The fashion journalist extraordinaire sits down with Document to discuss the evolution of print journalism, Central Saint Martins, and of course, her pet rabbits by Maya Kotomori Above the Fold The Shoptimist: the olfactory side of high fashion In her monthly column for Document, the formerly stinky Maya Kotomori examines the world of luxury fragrance by Maya Kotomori Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori Above the Fold Inside Saint Laurent’s secret Fall/Winter 2024 menswear show Creative director Anthony Vacarello revisited the ’80s by blowing up the brand’s signature suit by Maya Kotomori Above the Fold Costaiia helps preserve Indigenous textile craftsmanship Designer Patricia Maria Pietri sits down with Document to discuss the family, folklore, and fantasy in her contemporary womenswear brand by Maya Kotomori Above the Fold Style, sustainability, and social democracy: Inside CIFF, Copenhagen’s International Fashion Fair Fashion Correspondent Maya Kotomori explores the future of the industry at the Danish city’s 62nd annual trade show by Maya Kotomori Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori Above the Fold Meet four unique designers from CIFF 62 x Revolver At the fashion fair’s 62nd annual event, Document sits down with a crop of brands central to the burgeoning Nordic fashion scene by Maya Kotomori Above the Fold Thom Browne’s Gothic fantasy Equally dramatic and literary, quoth the designer’s Fall/Winter 2024 collection: “nevermore” by Maya Kotomori Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori Above the Fold The Shoptimist: To wear your heart in your bra In her monthly column for Document, Maya Kotomori remains abreast of lingerie’s history in Valentine’s Day marketing schemes by Maya Kotomori Above the Fold Area’s anatomy of an eye Creative director Piotrek Panszczyk tests our vision this season with a sparkly collection full of occular allusion by Maya Kotomori Above the Fold Archive Chives’s latest restaurant takeover is a brothy success The second installment of chef Luke Vu’s pop-up food series invades downtown restaurant Betty with an artist-bent menu by Maya Kotomori Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori Above the Fold Skemer’s “Kiss Me Kill Me” is a serpentine dream Watch the premiere of Belgian duo’s latest music video, which explores the dark side of techno by Maya Kotomori Above the Fold Best in show: Couture Week Spring 2024 Document Journal rounds up the standout couture collections from a week in Paris by Maya Kotomori Above the Fold Best in show: Men’s Fall/Winter 2024 Fashion Week—Paris Document Journal rounds up the week’s standout menswear collections from the French fashion capital by Maya Kotomori Above the Fold Doni Nahmias brings archive-driven design to the NHL The menswear designer’s newest collaboration with the Arizona Coyotes is proof that hockey is street style’s next sporty obsession by Maya Kotomori Above the Fold The Shoptimist: What it is, what it was, what it should cost In her monthly column for Document, Maya Kotomori evaluates the future of subscription services through a luxury lens by Maya Kotomori Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori
Above the Fold The Shoptimist: The transitional gift edit In a holiday edition of her monthly column, Maya Kotomori shares four brands redefining what it means for clothing to transform for temperature, mood, or... by Maya Kotomori
Above the Fold ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home by Maya Kotomori
Above the Fold The Shoptimist: An unbearable uniformity of being In her monthly column, previously closeted gym member Maya Kotomori ruminates on the role of the yoga set on her shopping psyche by Maya Kotomori
Above the Fold Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film by Maya Kotomori
Above the Fold The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild by Maya Kotomori
At Large When post-irony renders real and fake indistinguishable, irreverence becomes a political weapon Tracing the line from Ancient Greece to David Foster Wallace to the bullet through Trump’s ear, this essay for Document Journal’s Fall/Winter 2024–25 asks if... by Maya Kotomori
Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori
Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori
Above the Fold R. Jamin’s ‘Temperance’ is a study in the spirituality behind science Document sits down with the artist to talk about the natural disasters, divination, and doves behind her first solo show, on view at David Peter... by Maya Kotomori
Above the Fold Darryl Bell brought his Midwestern barbecue heritage to Robert Glasper’s The Black Radio Experience music festival At an on-site lunch event, the chef gave a glimpse into the menu at Stateline Road Smokehouse, his new restaurant blending fine dining perspective with... by Maya Kotomori
Above the Fold The Shoptimist Speaks: Mati Hays of House of Iconica In the second installment of columnist Maya Kotomori’s interview mini-series, the Brooklyn-based designer talks personal style, fetish, and the poetics of taste in fashion by Maya Kotomori
Above the Fold Inside Pete Rock’s musical dictionary Ahead of his performance at The Black Radio Experience music festival, the legendary DJ and producer sits down with Document to discuss his love for... by Maya Kotomori
Above the Fold The Shoptimist: Myths, markets, and the business model of hype For her monthly column, fashion bard Maya Kotomori tells the tale of luxury’s fraught relationship to streetwear from ’90s Supreme to 2010s Odd Future to... by Maya Kotomori
Above the Fold Larry Gus’s ‘Kerkis (Judas Tree)’ is playing games The musician collaborates with director Matvey Fiks and screenwriter, lyricist, and Yorgos Lanthimos collaborator Efthymis Filippou in this absurdist romp through an Athenian chess club by Maya Kotomori
Above the Fold Best in show: Men’s Spring/Summer 2025 and Women’s Resort Fashion Week—Paris Document rounds up the top new collections shown this past week in Paris by Maya Kotomori
Above the Fold Best in show: Men’s Spring/Summer 2025 and Women’s Resort Fashion Week—Milan Document rounds up the top new collections shown this past week in Milan by Maya Kotomori
Above the Fold The Shoptimist: It ain’t the same now In a Juneteenth special of her monthly column, hotep-in-training Maya Kotomori puts on her Dr. Umar kufi to analyze the commodity fetish of hip-hop by Maya Kotomori
Above the Fold In the experimental play ‘4,000 Dollars,’ the streets of New York City are a fiscal fight club Document joins playwright and director Georgica Pettus and producer Ashby Bland to discuss the art of numbers, spending money, and language systems by Maya Kotomori
Above the Fold Sónar by Day, according to curators Antònia Folguera and Ikram Bouloum Meet the pair responsible for Sónar Festival’s daytime multidisciplinary programming ahead of the annual Barcelona electronic music festival by Maya Kotomori
Conversations Decoding the ‘it’ factor with Abbey Lee In an exclusive digital interview for Document’s Spring/Summer 2024 issue, the cover star details how she found acting and a new sense of creative fulfillment by Maya Kotomori
Above the Fold Inside the New York Live Arts 2024 gala Artists were front and center at the institution’s annual Live Ideas fundraising event, centered on the role of creativity in shaping our collective future by Maya Kotomori
Above the Fold Lucila Safdie takes a blogger-era approach to the modern woman The designer sits down with Document to discuss the films, time periods, and nuanced female characters that inspire her clothing by Maya Kotomori
Conversations Bill T. Jones and Hank Willis Thomas reanimate creative freedom The choreographer and conceptualist challenge the categories and moralities of the artist for Document’s Spring/Summer 2024 by Maya Kotomori
Above the Fold Rhizome throws annual gala afterparty in collaboration with NYC-based performance series 29 Speedway Crushed watermelon, slime, and a visceral puppet show turn the postgame of this year’s fundraising gala into an immersive stage for experimental performance by Maya Kotomori
Above the Fold At Pageant’s second annual gala, experimental performance reigns supreme This year’s fundraising event for the artist-run space features footlong high heels, whipped cream-spewing bras, and live tattoos by Maya Kotomori
Conversations Maya Hawke and Kim Gordon dissect the poetics of commerce The multidisciplinary artists untangle lyric metaphors and pop cultural myths for Document’s Spring/Summer 2024 issue by Maya Kotomori
Above the Fold The Shoptimist Speaks: In conversation with Christine Alcalay Columnist Maya Kotomori’s new mini-series of interviews with NYC-local craftspeople begins with a spotlight on the Park Slope designer, discussing her eponymous brand, fashion labor,... by Maya Kotomori
Above the Fold Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’ by Maya Kotomori
Above the Fold Announcing Katharine Zarrella, Document Journal’s Fashion Critic-at-Large The fashion journalist extraordinaire sits down with Document to discuss the evolution of print journalism, Central Saint Martins, and of course, her pet rabbits by Maya Kotomori
Above the Fold The Shoptimist: the olfactory side of high fashion In her monthly column for Document, the formerly stinky Maya Kotomori examines the world of luxury fragrance by Maya Kotomori
Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori
Above the Fold Inside Saint Laurent’s secret Fall/Winter 2024 menswear show Creative director Anthony Vacarello revisited the ’80s by blowing up the brand’s signature suit by Maya Kotomori
Above the Fold Costaiia helps preserve Indigenous textile craftsmanship Designer Patricia Maria Pietri sits down with Document to discuss the family, folklore, and fantasy in her contemporary womenswear brand by Maya Kotomori
Above the Fold Style, sustainability, and social democracy: Inside CIFF, Copenhagen’s International Fashion Fair Fashion Correspondent Maya Kotomori explores the future of the industry at the Danish city’s 62nd annual trade show by Maya Kotomori
Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori
Above the Fold Meet four unique designers from CIFF 62 x Revolver At the fashion fair’s 62nd annual event, Document sits down with a crop of brands central to the burgeoning Nordic fashion scene by Maya Kotomori
Above the Fold Thom Browne’s Gothic fantasy Equally dramatic and literary, quoth the designer’s Fall/Winter 2024 collection: “nevermore” by Maya Kotomori
Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori
Above the Fold The Shoptimist: To wear your heart in your bra In her monthly column for Document, Maya Kotomori remains abreast of lingerie’s history in Valentine’s Day marketing schemes by Maya Kotomori
Above the Fold Area’s anatomy of an eye Creative director Piotrek Panszczyk tests our vision this season with a sparkly collection full of occular allusion by Maya Kotomori
Above the Fold Archive Chives’s latest restaurant takeover is a brothy success The second installment of chef Luke Vu’s pop-up food series invades downtown restaurant Betty with an artist-bent menu by Maya Kotomori
Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori
Above the Fold Skemer’s “Kiss Me Kill Me” is a serpentine dream Watch the premiere of Belgian duo’s latest music video, which explores the dark side of techno by Maya Kotomori
Above the Fold Best in show: Couture Week Spring 2024 Document Journal rounds up the standout couture collections from a week in Paris by Maya Kotomori
Above the Fold Best in show: Men’s Fall/Winter 2024 Fashion Week—Paris Document Journal rounds up the week’s standout menswear collections from the French fashion capital by Maya Kotomori
Above the Fold Doni Nahmias brings archive-driven design to the NHL The menswear designer’s newest collaboration with the Arizona Coyotes is proof that hockey is street style’s next sporty obsession by Maya Kotomori
Above the Fold The Shoptimist: What it is, what it was, what it should cost In her monthly column for Document, Maya Kotomori evaluates the future of subscription services through a luxury lens by Maya Kotomori
Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori
Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori
Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori