Fashion Brioni’s Spring/Summer 2025 La Donna collection unites traditional craftsmanship and contemporary elegance To accompany an exclusive shoot capturing the Italian house’s latest womenswear collection, Executive Design Director Norbert Stumpfl sits down with Document to discuss the boundless...
Art Larry Stanton: A love story Document sits down with curator Fabio Cherstich to track the late artist’s friendships across generations and geographies within his retrospective exhibit, ‘IMAGES’
“History always constitutes the relation between a present and its past.” Photographer Thistle Brown and fashion editor Andrew Sauceda collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Fashion The Shoptimist: The transitional gift edit In a holiday edition of her monthly column, Maya Kotomori shares four brands redefining what it means for clothing to transform for temperature, mood, or...
Above the Fold Choreographer Ligia Lewis transforms CARA into a theater of concepts Currently on view, ‘study now steady’ is a foray into the relationship between audience and performer, told through a Black feminist lens by Maximilian Tapogna Above the Fold For London’s newest class of designers, performance and wearability go hand in hand Documents asks 12 recent fashion graduates about borrowed inspirations, sustainable aspirations, and their city’s many haunts by Maximilian Tapogna Above the Fold Erica Deeman’s required reading for environmental hope The artist shares a list of books, compiled during her fellowship at Headlands Center for the Arts, that helped inspire her latest exhibition, ‘Climate Futurism,’... by Maximilian Tapogna Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna Above the Fold Down the rabbit hole at the McKittrick Hotel The Chelsea performance space put on an immersive Halloween production, inviting guests to ‘unleash the monster within’ by Maximilian Tapogna Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna Above the Fold Taking Flyte with Will Taylor and Nick Hill The UK-based duo celebrates its 10th anniversary with a self-titled album, preoccupied with songwriting above all else by Maximilian Tapogna Above the Fold The budding designers flipping the script on Tokyo style Document spoke with 7 recent graduates on what drives them to live, work, and create in the Japanese capital by Maximilian Tapogna Above the Fold Puma Blue’s ‘Holy Waters’ wrestles with death before its time The Croyden-raised artist’s sophomore album sprung from collaboration, forming a sonic landscape to meditate within by Maximilian Tapogna Above the Fold Running with kites Photographer Edd Horder and stylist Lilia Toncheva O’Rourke practice Afghanistan’s national pastime, positioning play as an act of resistance by Maximilian Tapogna Above the Fold Courtney Barnett searches for the dark side of paradise The singer-songwriter took to Brooklyn’s National Sawdust for an experimental rendition of her latest record, ‘End Of The Day’ by Maximilian Tapogna Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna Above the Fold Rocket’s sundown soundtrack In anticipation of their upcoming EP ‘Versions of You,’ the LA-based alt-rock band offers Document a list of their favorite tracks by Maximilian Tapogna
Above the Fold Choreographer Ligia Lewis transforms CARA into a theater of concepts Currently on view, ‘study now steady’ is a foray into the relationship between audience and performer, told through a Black feminist lens by Maximilian Tapogna
Above the Fold For London’s newest class of designers, performance and wearability go hand in hand Documents asks 12 recent fashion graduates about borrowed inspirations, sustainable aspirations, and their city’s many haunts by Maximilian Tapogna
Above the Fold Erica Deeman’s required reading for environmental hope The artist shares a list of books, compiled during her fellowship at Headlands Center for the Arts, that helped inspire her latest exhibition, ‘Climate Futurism,’... by Maximilian Tapogna
Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna
Above the Fold Down the rabbit hole at the McKittrick Hotel The Chelsea performance space put on an immersive Halloween production, inviting guests to ‘unleash the monster within’ by Maximilian Tapogna
Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna
Above the Fold Taking Flyte with Will Taylor and Nick Hill The UK-based duo celebrates its 10th anniversary with a self-titled album, preoccupied with songwriting above all else by Maximilian Tapogna
Above the Fold The budding designers flipping the script on Tokyo style Document spoke with 7 recent graduates on what drives them to live, work, and create in the Japanese capital by Maximilian Tapogna
Above the Fold Puma Blue’s ‘Holy Waters’ wrestles with death before its time The Croyden-raised artist’s sophomore album sprung from collaboration, forming a sonic landscape to meditate within by Maximilian Tapogna
Above the Fold Running with kites Photographer Edd Horder and stylist Lilia Toncheva O’Rourke practice Afghanistan’s national pastime, positioning play as an act of resistance by Maximilian Tapogna
Above the Fold Courtney Barnett searches for the dark side of paradise The singer-songwriter took to Brooklyn’s National Sawdust for an experimental rendition of her latest record, ‘End Of The Day’ by Maximilian Tapogna
Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna
Above the Fold Rocket’s sundown soundtrack In anticipation of their upcoming EP ‘Versions of You,’ the LA-based alt-rock band offers Document a list of their favorite tracks by Maximilian Tapogna