“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris Above the Fold Ask Photos refocuses on the roots of Black culture The photographer captures human-first images, rejecting colonial perspectives on diversity by JoliAmour DuBose-Morris
Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris
Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris
Above the Fold Ask Photos refocuses on the roots of Black culture The photographer captures human-first images, rejecting colonial perspectives on diversity by JoliAmour DuBose-Morris