Fashion Brioni’s Spring/Summer 2025 La Donna collection unites traditional craftsmanship and contemporary elegance To accompany an exclusive shoot capturing the Italian house’s latest womenswear collection, Executive Design Director Norbert Stumpfl sits down with Document to discuss the boundless...
Art Larry Stanton: A love story Document sits down with curator Fabio Cherstich to track the late artist’s friendships across generations and geographies within his retrospective exhibit, ‘IMAGES’
“History always constitutes the relation between a present and its past.” Photographer Thistle Brown and fashion editor Andrew Sauceda collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Fashion The Shoptimist: The transitional gift edit In a holiday edition of her monthly column, Maya Kotomori shares four brands redefining what it means for clothing to transform for temperature, mood, or...
Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris Above the Fold Ask Photos refocuses on the roots of Black culture The photographer captures human-first images, rejecting colonial perspectives on diversity by JoliAmour DuBose-Morris
Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris
Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris
Above the Fold Ask Photos refocuses on the roots of Black culture The photographer captures human-first images, rejecting colonial perspectives on diversity by JoliAmour DuBose-Morris