Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron At Large The sincere glamor of Candy Darling For Document’s Spring/Summer 2024 issue, the artist and trans starlet’s divahood is reconsidered five decades after her passing by Grace Byron
Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron
At Large The sincere glamor of Candy Darling For Document’s Spring/Summer 2024 issue, the artist and trans starlet’s divahood is reconsidered five decades after her passing by Grace Byron
