“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Above the Fold Christeene channels Sinéad O’Connor in ‘The Lion, The Witch, and The Cobra’ The self-proclaimed ‘gender terrorist’ enlisted artistic powerhouses Justin Vivian Bond and Peaches in an homage to the Irish singer’s career-defining debut by FT Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT Above the Fold Behind the scenes at Fever Ray’s hypnotic New York show Writer and philosopher FT reviews the ‘There’s No Place I’d Rather Be,’ tour—a “deranged circus,” with vocalist Karin Dreijer as its ringmaster by FT Above the Fold When it comes to artistic success, what are we really measuring? From Madonna to Taylor Swift, writer and philosopher FT examines the ever-changing metric of music rankings by FT
Above the Fold Christeene channels Sinéad O’Connor in ‘The Lion, The Witch, and The Cobra’ The self-proclaimed ‘gender terrorist’ enlisted artistic powerhouses Justin Vivian Bond and Peaches in an homage to the Irish singer’s career-defining debut by FT
Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT
Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT
Above the Fold Behind the scenes at Fever Ray’s hypnotic New York show Writer and philosopher FT reviews the ‘There’s No Place I’d Rather Be,’ tour—a “deranged circus,” with vocalist Karin Dreijer as its ringmaster by FT
Above the Fold When it comes to artistic success, what are we really measuring? From Madonna to Taylor Swift, writer and philosopher FT examines the ever-changing metric of music rankings by FT