Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Noah Stalgia creates sculptures for an era of withering authenticity The New York-based artist joins Document to discuss faux-transgressive design, working-class fetishism, and the drive toward belief by Ben Dreith Above the Fold Inside the Neo-Decadent movement How a cohort of international writers opposed the status quo, pulling from the endless subjectivity of culture to produce some of the century’s best literature by Ben Dreith Above the Fold Reckoning with the compound An unfamiliar way of designing community underlines the siloing and distrust that mark American culture by Ben Dreith
Above the Fold Noah Stalgia creates sculptures for an era of withering authenticity The New York-based artist joins Document to discuss faux-transgressive design, working-class fetishism, and the drive toward belief by Ben Dreith
Above the Fold Inside the Neo-Decadent movement How a cohort of international writers opposed the status quo, pulling from the endless subjectivity of culture to produce some of the century’s best literature by Ben Dreith
Above the Fold Reckoning with the compound An unfamiliar way of designing community underlines the siloing and distrust that mark American culture by Ben Dreith