Photography Adam Friedlander’s ‘As the Crow Flies’ explores the emotional weight of Scottish landscapes The photographer’s new series embraces motion and in-between spaces
Fashion Week Schiaparelli’s flight beyond the sun Inspired by the myth of Icarus, Creative director Daniel Roseberry’s Spring Haute Couture 2025 collection showcases feathers brushed in keratin and gravity-defying silhouettes
Fashion Lanvin channels Art Deco history for Fall/Winter 2025 Newly appointed creative director Peter Copping presents his debut collection at the Parisian luxury brand
Fashion The Shoptimist: An advertisement in influencer’s clothing In her monthly column, amateur business analyst Maya Kotomori explores the ongoing litigation between two beigefluencers through a modern history of advertising
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
