Scene report: Performance Space New York’s 2025 Gala was a ‘space for everyone’ From Debbie Harry's duet with Kelsey Lu as Kermit the Frog to bloodletting performances and duct tape couture, this year's experimental arts party celebrated New...
Loewe unveils ‘Crafted World’ in Tokyo, a love letter to artisanship From leather atelier to global luxury brand, the exhibition traces the house’s evolution while honoring Japanese craft traditions and marking a creative turning point
Architecture Against vision: The architecture of Ricardo Scofidio (1935—2025) Upon the passing of a founding principal of the studio that trafficked a contemporary art sensibility into architecture, reflections on the work of Diller Scofidio...
Music Zsela’s new ‘Moth Dance’ music video peels back the curtain From a sprained ankle to soaring wings, Zsela tells Document about how this new music video brings her 'Big For You' album journey full circle
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham