Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold Guerreiro do Divino Amor builds a Helvetian Olympus at the 60th Venice Biennale The multimedia artist transforms the Swiss Pavilion into a dark and glitzy critique of Switzerland’s self-conjured mythology by Alice Bucknell At Large Second Life’s loyal users embrace its decaying software and no-fun imperfections Inside the multiplayer virtual world of furries, glitchy landscapes, and digital slumlords, for Document’s Spring/Summer 2024 issue by Alice Bucknell
Above the Fold Guerreiro do Divino Amor builds a Helvetian Olympus at the 60th Venice Biennale The multimedia artist transforms the Swiss Pavilion into a dark and glitzy critique of Switzerland’s self-conjured mythology by Alice Bucknell
At Large Second Life’s loyal users embrace its decaying software and no-fun imperfections Inside the multiplayer virtual world of furries, glitchy landscapes, and digital slumlords, for Document’s Spring/Summer 2024 issue by Alice Bucknell
