This radical psychology album is the sleeper hit of 2019
October 10, 2019 4:34 pmNoam Chomsky and Nadya Tolokonnikova hop on Nelly Ben Hayoun-Stépanian's 'I Am (Not) a Monster,' an album—and documentary—inspired by the teachings of Hannah Arendt.
Noam Chomsky and Nadya Tolokonnikova hop on Nelly Ben Hayoun-Stépanian's 'I Am (Not) a Monster,' an album—and documentary—inspired by the teachings of Hannah Arendt.
Darkwave, shitpunk, and trap-soul: Ahead of Iceland Airwaves 2019, a cross-generational survey of Reykjavik's DIY music melting pot.
The 2000's, when the Strokes took photos in front of Kaws paintings and moving to New York was still career suicide.
Sargasso seaweed is choking Mexican ocean and beaches. Here are the artists and scientist striving for solutions.
‘I am made of matter and thought.’ The photographer-stylist duo consider what we're made of in this fashion portfolio.
30 years ago, wearing denim could get you arrested in Ukraine—now it's everywhere you look. Document delves into Ukraine's recycled denim revolution with local designers Ksenia Schnaider and Ruslan Baginskiy.
'The Image of Whiteness', a multimedia collection of imagery and interviews released yesterday, examines whiteness and highlights artists who have risen to challenge it.
Photographer Driely S. and stylist Herin Choi capture the rebellious energy of Yuni Ahn’s Maison Kitsuné in their fashion portfolio titled 'This Is How We Walk on the Moon.'
Dr. Nelly Ben Hayoun's University of the Underground offers a Master's in the Design of Experiences. After the program's first two chaotic years, Ben Hayoun gives her side of the story—and her students give theirs.
From ‘Joker’ to ‘Taxi Driver,’ ‘cultural critique’ was long used as the justification for onscreen violence by white men. Here are the filmmakers with a fresh take.
On ‘Deceiver,’ the Brooklyn-based musicians own their mistakes and find hope in the rubble.
Photographer Jens Ingvarsson and Document's Shawn Lakin collaborate on a fashion portfolio for Document Online.
As Extinction Rebellion's two-week ‘International Rebellion’ kicks off, Hallam and Staley tell us why civil disobedience is our most viable tool for survival.
See the band building a hardcore community in the ashes of gentrification at Thrasher Magazine's Death Match.
Stefan Dottor captures the unexpected humanity in Mumbai’s booming wedding business.
The fascinating story of two feuding magazines, and the ideological clash that catalyzed Germany's youth uprising.
“Doesn’t give a shit. That’s Balenciaga.” Filmmaker Pablo Di Prima asked Demna Gvasalia's young fans what earned their rabid enthusiasm.
In a dazzling fashion editorial, von Olderhausen honors the residents he encountered while working in real estate in Bronx's Little Italy.
Nicolas Ghesquière closes out Paris Fashion week with tender affection for French sartorial history.
The artist spoke to Document about combatting misconceptions and what it's like to see your art auctioned for half a million and not see a cent.
Clare Waight Keller loves a divisive female heroine, and the Givenchy SS20 collection spun a mythology fit for the big screen.
The internet is rendering the music industry's physical and cultural barriers to entry irrelevant.
Jonathan Anderson showcased his craftsmanship through contemporary elegance and aristocratic detailing.
Dorith Mous turned a paralyzing mental health scare into a powerful essay and short film series aimed at destigmatizing mental health.
Business meeting at 6? Parisian rooftop party at 9? Virginie Viard has a tweed suit for that.
Are our noses a portal into our minds? Norwegian artist Sissel Tolaas spoke to Document about why she thinks our sense of smell can change the world.
Ahead of 'Tissues,' a new play performed by an ensemble of 13 opera singers and performers, the experimental sound artist discusses her obsession with dualities.