The idea came from wanting to use the texture and shapes of the skulls to make an abstraction, a strange landscape, rather than focusing on their singularity. Experience the artist’s eerie portfolio for Document’s Fall/Winter 2013 issue.
Text by
Document Journal
Photography by
Dan Tobin Smith
The idea came from wanting to use the texture and shapes of the skulls to make an abstraction, a strange landscape, rather than focusing on their singularity. Experience the artist’s eerie portfolio for Document’s Fall/Winter 2013 issue.