“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer Above the Fold New York sees Andy Warhol’s “Shadows” for the first time since 1998 The Dia Art Foundation is presenting 48 canvases Andy Warhol's 1978-1979 "Shadow" series at Calvin Klein's headquarters through December 15. by Ann Binlot Above the Fold Eckhaus Latta tests the boundaries between fashion, art and commerce at The Whitney Eckhaus Latta, the cult fashion label by Mike Eckhaus and Zoe Latta, is the subject of The Whitney's first fashion-focused exhibition since 1997. by Jocelyn Silver
Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer
Above the Fold New York sees Andy Warhol’s “Shadows” for the first time since 1998 The Dia Art Foundation is presenting 48 canvases Andy Warhol's 1978-1979 "Shadow" series at Calvin Klein's headquarters through December 15. by Ann Binlot
Above the Fold Eckhaus Latta tests the boundaries between fashion, art and commerce at The Whitney Eckhaus Latta, the cult fashion label by Mike Eckhaus and Zoe Latta, is the subject of The Whitney's first fashion-focused exhibition since 1997. by Jocelyn Silver