Literature Mohammed El-Kurd refuses to perform for the West The Palestinian writer—in conversation with Hannah Black and photographed by Nan Goldin—speaks on his new book 'Perfect Victims,' an unflinching indictment of Zionism and the...
Fashion For Mihara Yasuhiro, deception is in the details The designer's Spring/Summer 2026 collection 'Ordinary People' riddles the everyday with a series of extraordinary twists
Fashion ‘Balenciaga by Demna’ looks back on the former creative director’s decade with the house At Kering's Paris headquarters, a self-curated exhibition elaborates upon Demna's final show for Balenciaga, featuring pieces across 30 collections
Fashion Flow & form: Issey Miyake’s IM MEN unfolded For SS26, IM MEN teams up with ceramicist Shoji Kamoda, translating earthen textures and sculptural lines into dynamic menswear
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
