Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
