Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Art Karl Lagerfeld’s Memphis dream, revived by Francesco Vezzoli Design meets desire in Vezzoli’s Monte Carlo show, a vivid reconstruction of Lagerfeld’s 1980s fantasy apartment—and a reflection on queer interior worlds
Music Moses Sumney finds rhythm in relation On the heels of two back-to-back shows at Pioneer Works previewing his upcoming album, the musician-actor sits down with Document to discuss its sonic drivers...
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor
Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
