Music Zsela’s new ‘Moth Dance’ music video peels back the curtain From a sprained ankle to soaring wings, Zsela tells Document about how this new music video brings her 'Big For You' album journey full circle
Art The dual voice of May Stevens Between Guerrilla Girls activism and lyrical abstraction, Stevens's art, currently exhibited At Mary Ryan Gallery and Ryan Lee Gallery, reveals multiple paths for feminist expression
Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor
Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
