Nightlife Moonlight and mayhem on Lafayette Under the glow of a spectral moon, Document Journal’s Halloween soirée brought Jean’s to life with Dee Diggs, Sterling Juan Díaz, Kembra Pfahler, and Narcissister...
Photography Bruce Gilden’s neorealismo The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in...
Art Soren Hope paints what the eye can’t hold For their New York debut, the artist blurs the real and the abstract, bending illusion to explore what it means to truly see
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As partners in life and work, they DJ, perform punk shows, study music, and finish each other’s sentences—in conversation with Katie Rex, featuring portraits by...
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor
Above the Fold Vagabon fights through imposter syndrome to discover her most honest music yet Brooklyn-based musician Laetitia Tamko speaks to Document about channeling her mother's business savvy in the DIY punk scene. by Nick Fulton
