Fashion The intimacy of beauty with Holli Smith and Pony Rivers For Document’s Fall/Winter 2024–25 issue, the hairstylist and longtime contributor transforms her partner into an array of characters for his fashion debut accompanied by a...
Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’ by Drew Zeiba Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba
Above the Fold Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’ by Drew Zeiba
Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba
Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba
Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba
Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba
Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba
Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba
Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba