Art ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home
Art The cotton-candy lushness of Pucci’s Fun Fair The Italian brand’s art director Camille Miceli convened a carnivalesque installation for its inaugural Art Basel Miami Beach partnership
Fashion The true meaning of wintertime festivities, according to Julia Garner Ahead of the holidays, Document sits down with the rising star to uncover the secret to great hosting and great gift-giving
“Red is not usually innocent, but the red you send me is.” Photographer Sølve Sundsbø collaborates with Style Director Ronald Burton III and Beauty Editor Jawara on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee
Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha
At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee