Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Architecture Iwan Baan’s ‘Rome — Las Vegas’ explores both cities from above and below The photographer’s recent project asks how architecture shapes reality in an era of mass tourism and simulation
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee
Above the Fold Privacy expert Clare Garvie explains why your face is already in a criminal lineup Biometric surveillance is coming for you, even if you have 'nothing to hide' by Alex Hodor-Lee
Above the Fold Trevor Paglen wants you to stop seeing like a human The artist on CIA-funded facial recognition technology, images in the post-truth era, and why AI is its own form of politics by Camille Sojit Pejcha
At Large The blurred faces—and ethics—of protest photography Amid revelations of the NYPD’s biometric surveillance programs, photojournalists are forced to reconsider photography in public space. by Alex Hodor-Lee