Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Conversations serpentwithfeet and Björk seek refuge in the sublime For Document's Summer/Pre-Fall 2021 issue, the musicians examine the creative merits of spirituality, nature, and karaoke by Camille Sojit Pejcha Above the Fold Björk reflects on mistakes and miracles with Þorgerður Ingólfsdóttir, the conductor who taught Iceland to sing On 'Come and Be Joyful,' Björk collaborates with Ingólfsdóttir's acclaimed Hamrahlíð Choir on a series of folk songs by Hannah Ongley Conversations Singer Anohni tackles speaking out, oppression, and subversion with composer Nico Muhly The musical artists talk composition, American civic complicity, and "joyful expressions of rage." by Nico Muhly
Conversations serpentwithfeet and Björk seek refuge in the sublime For Document's Summer/Pre-Fall 2021 issue, the musicians examine the creative merits of spirituality, nature, and karaoke by Camille Sojit Pejcha
Above the Fold Björk reflects on mistakes and miracles with Þorgerður Ingólfsdóttir, the conductor who taught Iceland to sing On 'Come and Be Joyful,' Björk collaborates with Ingólfsdóttir's acclaimed Hamrahlíð Choir on a series of folk songs by Hannah Ongley
Conversations Singer Anohni tackles speaking out, oppression, and subversion with composer Nico Muhly The musical artists talk composition, American civic complicity, and "joyful expressions of rage." by Nico Muhly