Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Conversations Belgian artist Jan Fabre on keeping audiences awake for 24 hours and passing fire to emerging artist Boundary pushing Belgian artist Jan Fabre speaks with art curator Tim Goossens about what the passionate and uber-energetic master is cooking up in the future. by Tim Goossens Conversations The Ghost Dancer: Stephen Posen Speaking to his longtime friend Tim Goosens, Stephen discusses his unique stylistic approach in creating his haunting narratives. by Tim Goossens Conversations MoMA PS1 founder Alanna Heiss looks back on a lifetime of guerrilla art ‘It’s very easy to be a radical or guerilla by saying ‘this is no good.’ But it is hard to be a builder.’ The curator... by Tim Goossens
Conversations Belgian artist Jan Fabre on keeping audiences awake for 24 hours and passing fire to emerging artist Boundary pushing Belgian artist Jan Fabre speaks with art curator Tim Goossens about what the passionate and uber-energetic master is cooking up in the future. by Tim Goossens
Conversations The Ghost Dancer: Stephen Posen Speaking to his longtime friend Tim Goosens, Stephen discusses his unique stylistic approach in creating his haunting narratives. by Tim Goossens
Conversations MoMA PS1 founder Alanna Heiss looks back on a lifetime of guerrilla art ‘It’s very easy to be a radical or guerilla by saying ‘this is no good.’ But it is hard to be a builder.’ The curator... by Tim Goossens