Fashion Brioni’s Spring/Summer 2025 La Donna collection unites traditional craftsmanship and contemporary elegance To accompany an exclusive shoot capturing the Italian house’s latest womenswear collection, Executive Design Director Norbert Stumpfl sits down with Document to discuss the boundless...
Art Larry Stanton: A love story Document sits down with curator Fabio Cherstich to track the late artist’s friendships across generations and geographies within his retrospective exhibit, ‘IMAGES’
“History always constitutes the relation between a present and its past.” Photographer Thistle Brown and fashion editor Andrew Sauceda collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Fashion The Shoptimist: The transitional gift edit In a holiday edition of her monthly column, Maya Kotomori shares four brands redefining what it means for clothing to transform for temperature, mood, or...
Above the Fold ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen by Olivia Treynor Above the Fold Lauren Elkin’s ‘Art Monsters’ thrives in the messy The author’s latest book profiles the great and grimy women of the last century by Olivia Treynor Above the Fold ‘The Future Future’ is obsessed with words and their failures Novelist Adam Thirwell joins Document to explain why 18th-century print culture and 21st-century social media discourse aren’t so different by Olivia Treynor Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor Above the Fold Genesis according to Lauren Groff Upon the release of ‘The Vaster Wilds,’ the author talks archival interventions, iambic pentameter, and historical fiction’s bad reputation by Olivia Treynor Above the Fold Excavating the missing girl—or, at least, the idea of her ‘Brutes’ and ‘All-Night Pharmacy’ destroy the canonical bad girl, allowing for pure(r) heroines to emerge by Olivia Treynor Above the Fold Sunny War is Americana’s brightest star and biggest skeptic The Nashville-born musician’s ‘Anarchist Gospel’ is a volume of hymns for late capitalist life, taking cues across genres and generations by Olivia Treynor Above the Fold The unpredictable, genre-less magic of Cooler Nights Through CARA’s summer series, five Monday evenings become a sonic playground for eclectic performers by Olivia Treynor Above the Fold Instructions for living from Inès Longevial’s bookshelf From Colette to Camus, the French painter shares her favorite reads for finding inspiration in the quotidian by Olivia Treynor Above the Fold Sally Potter talks time travel and other mysteries The 73-year-old filmmaker (once again) proves her artistic dexterity with an autobiographical debut album, ‘Pink Bikini’ by Olivia Treynor Above the Fold The rebirth of the long-maligned tramp stamp Tattoo artists muse on the placement’s cultural resurgence—an exercise in aesthetic time travel, particularly beloved by queer youth by Olivia Treynor Above the Fold Would you dox a bad date? A tug-of-war between a Facebook group for women daters and an army of (allegedly) lawyered-up r/MensRights users poses questions about “good” internet behavior by Olivia Treynor Above the Fold Samantha Joy Groff’s required reading for a ‘Pennsyltucky’ girlhood From a hauntingly prescient bildungsroman to a sardonic story of working-class life, the emerging painter offers Document tales of family, survival, and longing by Olivia Treynor Above the Fold Detroit’s Movement Festival, through the lens of UNIIQU3 The DJ shares photographs from her world (domination) tour, spreading the gospel of Jersey club in the birthplace of techno by Olivia Treynor Above the Fold On the heels of the solstice, Hermès offers a skin-first introduction to the season For Spring/Summer 2024 Men’s, Véronique Nichanian infuses the house’s equestrian heritage with nautical overtones by Olivia Treynor Above the Fold May Rio’s booklist for reinventing the damsel in distress Following the release of her sophomore album ‘French Bath,’ the musician compiles incisive texts by modern female authors by Olivia Treynor Above the Fold JW Anderson distorts domesticity for Spring/Summer 2024 The designer’s latest menswear collection riffs on tradition and reimagines knitwear, drawing humor and beauty from the mundane by Olivia Treynor Above the Fold ‘Castro to Christopher’ documents bygone queer utopias Nicholas Blair’s debut photography book offers a vision of Pride on the cusp of AIDS, from the streets of San Francisco and New York by Olivia Treynor Above the Fold Carlos Idun-Tawiah recasts his boyhood The photographer’s ‘Sunday Special’ series blurs memory with fiction in staged recollections along the coast of Ghana by Olivia Treynor Above the Fold Erdem Moralıoğlu’s costuming bridges dynamism with delicacy For the Royal Opera House’s ‘Corybantic Games,’ the designer recasts visions of intimacy, athleticism, and ’50s femininity by Olivia Treynor
Above the Fold ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen by Olivia Treynor
Above the Fold Lauren Elkin’s ‘Art Monsters’ thrives in the messy The author’s latest book profiles the great and grimy women of the last century by Olivia Treynor
Above the Fold ‘The Future Future’ is obsessed with words and their failures Novelist Adam Thirwell joins Document to explain why 18th-century print culture and 21st-century social media discourse aren’t so different by Olivia Treynor
Above the Fold Vagabon, in her own words She was shouldered with the burden of saving indie rock—but Laetitia Tamko's 'Sorry I Haven't Called' carves its own ambitious path by Olivia Treynor
Above the Fold Genesis according to Lauren Groff Upon the release of ‘The Vaster Wilds,’ the author talks archival interventions, iambic pentameter, and historical fiction’s bad reputation by Olivia Treynor
Above the Fold Excavating the missing girl—or, at least, the idea of her ‘Brutes’ and ‘All-Night Pharmacy’ destroy the canonical bad girl, allowing for pure(r) heroines to emerge by Olivia Treynor
Above the Fold Sunny War is Americana’s brightest star and biggest skeptic The Nashville-born musician’s ‘Anarchist Gospel’ is a volume of hymns for late capitalist life, taking cues across genres and generations by Olivia Treynor
Above the Fold The unpredictable, genre-less magic of Cooler Nights Through CARA’s summer series, five Monday evenings become a sonic playground for eclectic performers by Olivia Treynor
Above the Fold Instructions for living from Inès Longevial’s bookshelf From Colette to Camus, the French painter shares her favorite reads for finding inspiration in the quotidian by Olivia Treynor
Above the Fold Sally Potter talks time travel and other mysteries The 73-year-old filmmaker (once again) proves her artistic dexterity with an autobiographical debut album, ‘Pink Bikini’ by Olivia Treynor
Above the Fold The rebirth of the long-maligned tramp stamp Tattoo artists muse on the placement’s cultural resurgence—an exercise in aesthetic time travel, particularly beloved by queer youth by Olivia Treynor
Above the Fold Would you dox a bad date? A tug-of-war between a Facebook group for women daters and an army of (allegedly) lawyered-up r/MensRights users poses questions about “good” internet behavior by Olivia Treynor
Above the Fold Samantha Joy Groff’s required reading for a ‘Pennsyltucky’ girlhood From a hauntingly prescient bildungsroman to a sardonic story of working-class life, the emerging painter offers Document tales of family, survival, and longing by Olivia Treynor
Above the Fold Detroit’s Movement Festival, through the lens of UNIIQU3 The DJ shares photographs from her world (domination) tour, spreading the gospel of Jersey club in the birthplace of techno by Olivia Treynor
Above the Fold On the heels of the solstice, Hermès offers a skin-first introduction to the season For Spring/Summer 2024 Men’s, Véronique Nichanian infuses the house’s equestrian heritage with nautical overtones by Olivia Treynor
Above the Fold May Rio’s booklist for reinventing the damsel in distress Following the release of her sophomore album ‘French Bath,’ the musician compiles incisive texts by modern female authors by Olivia Treynor
Above the Fold JW Anderson distorts domesticity for Spring/Summer 2024 The designer’s latest menswear collection riffs on tradition and reimagines knitwear, drawing humor and beauty from the mundane by Olivia Treynor
Above the Fold ‘Castro to Christopher’ documents bygone queer utopias Nicholas Blair’s debut photography book offers a vision of Pride on the cusp of AIDS, from the streets of San Francisco and New York by Olivia Treynor
Above the Fold Carlos Idun-Tawiah recasts his boyhood The photographer’s ‘Sunday Special’ series blurs memory with fiction in staged recollections along the coast of Ghana by Olivia Treynor
Above the Fold Erdem Moralıoğlu’s costuming bridges dynamism with delicacy For the Royal Opera House’s ‘Corybantic Games,’ the designer recasts visions of intimacy, athleticism, and ’50s femininity by Olivia Treynor