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The horrors of horniness: the freaky girls of ‘Babyratu’
This holiday’s double-bill follows women whose sexuality threatens to undo them
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‘The Iron Claw’ goes for the emotional jugular
Sean Durkin’s third film renders the Von Erich wrestling family as a American tragedy
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Eduard Sánchez Ribot makes magic of the mundane
In an exclusive photo diary for Document, the photographer captures the quotidian beauty of his trip through South Korea
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Olympia Le-Tan takes high fashion to the ring with Sukeban
A cross between drag, performance art, and wrestling, the all-women’s league combines high concept costuming with high-flying stunts
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A guide to the discomfiting films of Todd Haynes
Upon the release of May-December, Document curates of list of his most sumptuous, unsettling films
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‘Lavender Deal’ summons love in the time of COVID
Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial
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Between love, hate, and richesse, ‘Saltburn’ boils over
In a web of cinephilic homages, Emerald Fennell’s sophomore feature spins a half-baked tale of lust and ambition
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Antwerp’s emerging designers capture the city’s casual magic
Document asks 5 recent fashion graduates about ritual, inspiration, and the stories that undergird their latest collections
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‘Making Their Mark’ crafts its own canon
Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight
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Stephanie Dinkins finds the edges of identity and AI
In ‘Conversations with Bina48,’ the artist brushes with the future of algorithmic systems as often as her own humanity
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Cookie Mueller’s genius takes center stage at the Roxy
‘For People with Short Attention Spans’ drew a crowd of Downtown luminaries, celebrating the singular voice of the late-great raconteur
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Chappell Roan brings unbridled queer emotion to Brooklyn Steel
‘The Rise and Fall of a Midwest Princess’ captured hearts in New York, moving at a clip through heartbreak and joy
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Tina Kukielski’s guide to the rich, varied films of ‘Art in the Twenty-First Century’
Ahead of the release of “Friends & Strangers,” Art21’s chief curator highlights some of the series’s most fascinating installments
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Time is spherical in ‘Gucci Cosmos’
In an opulent retrospective at 180 The Strand, the legacy Italian label places its namesake at the center of its orbit
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Kiko Kostadinov walks with the greats
Laura and Deanna Fanning’s Spring/Summer 2024 collection paid homage to Sonia Delaunay and Sonia Rykiel, never sacrificing functionality in the pursuit of femininity
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Issey Miyake materializes a quivering flame, flowing water
Satoshi Kondo’s Spring/Summer 2024 collection renders nature’s fleeting moments in fabric, creating structure for the undefined
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Sufjan Stevens, modern-day bard
On Javelin, the singer-songwriter takes his listeners on an Orphean journey through the end of a relationship and the world
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Stacy Kranitz captures Appalachia as it is
Following the release of ‘As It Was Give(n) to Me,’ the photographer joins Document to unravel the region she calls home
