Music Sausha serves her eponymous EP straight, no mixer Known for her high-octane sets, the NYC-based DJ discusses her EP’s intimate sonic journey, the emotional toll of creation, and her decade-long relationship with the...
Art Scene report: Performance Space New York’s 2025 Gala was a ‘space for everyone’ From Debbie Harry's duet with Kelsey Lu as Kermit the Frog to bloodletting performances and duct tape couture, this year's experimental arts party celebrated New...
Loewe unveils ‘Crafted World’ in Tokyo, a love letter to artisanship From leather atelier to global luxury brand, the exhibition traces the house’s evolution while honoring Japanese craft traditions and marking a creative turning point
Architecture Against vision: The architecture of Ricardo Scofidio (1935—2025) Upon the passing of a founding principal of the studio that trafficked a contemporary art sensibility into architecture, reflections on the work of Diller Scofidio...
Above the Fold 120 bpm: How can we go on raving at a time like this? Introducing his monthly column with Document, writer and raver Evan Moffitt asks if the party can set us free by Evan Moffitt At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt
Above the Fold 120 bpm: How can we go on raving at a time like this? Introducing his monthly column with Document, writer and raver Evan Moffitt asks if the party can set us free by Evan Moffitt
At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt
